Halloween In June 2017 Gallery

  

Take the links below to find unique one of a kind handmade Halloween art, collectibles and jewelry direct from independent artist! Help keep the tradition of handmade art and the spirit of Halloween alive with your own Halloween in June celebrations!

Ghostgap
A Paper Witch
A Ryer Studio
Chad Savage
Creepy Cute Doll Works
Amethyst Raven
Jynxx Designs
PunkinPrims
A Twisted Pumpkin
Twilight Faerie
Chaos In Color
Tarryfails Corner
Jan’s Beads
Sauvage Raven Creations
The Felted Fey
Art By Sarada

Find more Halloween art and collectibles year round by visiting Spooky Cute Team and Halloween Artist Bazaar on Etsy or the HAB sales catalog!

Spooky Cute Team on Etsy:

Spooky Cute Team

HAB on Etsy:

HAB on Etsy

HAB online shopping catalog:

HAB on Etsy

Halloween In June 2017


Christmas in July, Halloween in June (Repost from 2014)
-By Angelique Duncan

Most folks have heard the expression “Christmas in July”. It usually is used to express a great and unexpected surprise. There seems to be differing opinions and documentation of when the slogan was actually was first actually used. Some historians trace the term back to the 1930’s and 1940’s to different Christian church entities and clubs in regards to annual events involving decorated trees, gift giving and all the trappings of the winter holiday in the hot summer month of July. First official use of the term “Christmas In July” was from an American movie of that title that was released in 1940. However the concept has much deeper and practical origins.

The notion finds its roots in the Victorian era of the 1800’s and early 1900’s. The Victorians, despite being quite extravagant in their winter celebrations with in decorations and gifts were also frugal and inventive people. The practice of purchased gifts at the Christmas holiday did not surface until much later in modern history. The Victorians would primarily give hand made gifts. The common practice was for each family member to make a gift for each other member of the family. For this to be pulled off in time for winter, a lot of planning and preparation was required.

Most gifts were made from what one could find in nature or in ones home. The making of gifts and holiday decorations for the home became part of the summer ritual. During the summer months, materials from nature were readily available. Starting the craft projects early in July gave a window of roughly 6 months to complete the projects of sewing, collecting and drying flowers, canning and preserving special foods from the garden, using oils to sent sachets and pomanders and to build collages or paint objects.

The Victorian practice of hand crafting ones Christmas gifts carried over into the 1930’s during the Great Depression when resources were scarce. In lieu of purchasing items, holiday gifts were from what one could make from what they had on hand. Later in 1944 during World War II, the United States Postal Service and greeting card industry promoted a postal campaign to collect letters and cards in early July for soldiers overseas to help ensure that they would be received for the holidays.

In the 1950’s with rise in incomes and commercialism advertisers for department stores caught on to the phrase to help boost retail sales during the leaner profit months of summer. The idea gained momentum for bargain hunters, who would begin their holiday shopping early in the year. This also allowed for retailers to push out old inventory to make room for the next year’s products.

In the years of the 1950’s through the 1970’s retail marketing of the Christmas holiday season began the day after Thanksgiving, on what is now known as Black Friday. Stores would set Christmas displays and begin their holiday sales for what is considered season of the greatest profits for retailers though out the months of November and December.

In an effort to extend the shopping season and sell more Christmas merchandise retailers began to push the start of the holiday season earlier and earlier each year. The market for winter décor exploded. By the late 1980’s retailers would begin to play holiday music and stock Christmas items the day after Halloween. By the 1990’s and into the new millennium retailers began putting out their holiday merchandise as early as June and July and have capitalized on the “Christmas In July” slogan in hopes to capture revenue from folks doing their holiday gift and decorating shopping early.

The phenomenon of capitalizing and commercializing holidays carried over to Halloween. With the rise in popularity of Halloween in past decades, retailers have taken notice. Sales of Halloween themed items for home decorating, parties, yard decorations and costumes now follows a close second to Christmas related sales and is gaining.

During the early 1990s and 2000’s Halloween entered a surge in popularity in American culture. However availability of quality unique Halloween decorations was limited in the big retail market. Most decorations and costumes prior to the late 1980- 90’s were home made. As the desire for Halloween décor that was on par with Christmas decorating grew, so did the market for Halloween art. Small independent artist and individuals who built yard – haunting décor had found their niche. With the advent of the Internet and the growth of an online upstart auction site known as eBay, demand for handmade Halloween soared. An entire market of Halloween collectors was born. One of a kind direct from the artist creations was highly sought after.

As this national love of all things Halloween grew, national retailers took notice and followed suit. The large retail chains began to offer Halloween collectibles, home decor and elaborate yard art that hit their shelves by late August and September. Big retailers honed in on what was offered by the independent online sellers and created an entire industry of Halloween retail revenue.

Sales of Halloween themed collectibles for home decorating, parties, yard decorations and costumes now follows a close second to Christmas related sales and is gaining. With this popularity of Halloween, retailers now set out mass-produced Halloween items as early as July, often along side the Christmas wares. This has drastically hurt the profits of small independent Halloween artist and yard haunters who once enjoyed a reliable fall retail season for Halloween sales.

From this history a campaign of Halloween in June was born. Independent artist Julia Chibatar proprietor of Ghostgap had the idea in 2013 to create a month dedicated to Halloween outside of it’s traditional month of October as an answer to the commercial concept of Christmas in July. Halloween in June is a month long celebration of all things Halloween with particular emphasis on independent Halloween Artist and their handmade wares. The celebration is a combined effort of Halloween groups comprised of independent artist to raise awareness of the small retail businesses and artist who gave origin to the Halloween retail phenomenon. It is an opportunity to showcase one of a kind handcrafted works available for purchase direct from the artist before the onslaught of big retail Halloween hits the shelves.

Halloween in June is presented by Spooky Cute Etsy Team
Halloween Artist Bazaar Artist Group .

Angelique Duncan is proprietor of Twilight Faerie Nostalgic and Capricious Objects. Check out her artist page to find links to her shops and vintage inspired traditional holiday art. Visit again next month for more traditions and folklore.

Faerie Welcoming Party


Faerie Welcoming Party
-By Angelique Duncan

Many believe that beginning May marks the return of the faeries from their winter slumber in the underworld. The veil between our world and theirs is lifted and they hold a grand procession and feast to celebrate the end of winter and kick off their stay in the human world until they pass back to the through the veil on Halloween night.

As a way to celebrate the return of the faeries one can hold their own faerie party. Here are a few ideas for hosting a grand celebration fit for the fae folk. Faerie parties aren’t just for children; adult children can indulge in faerie celebrations as well.

Begin with invitations. Send a small vile of glitter or bubbles to your guest with the invitation attached with ribbon or twine. Or send a frilly decorative floral paper invitation, some thing that would intrigue a faeries interest.

Instruct your guest to wear their best faerie attire. This is a great opportunity to have a costume party in the middle of spring. Encourage floral headdresses, accessories and fluffy skirts, garden hats and of course the wearing wings!

If your guests don’t already own a pair of wings then this could become a party activity. Have materials on hand to make simple wings from netting and wire and glue guns to affix flowers and adornments. The same could be done with making wands. Another activity could be to have your guest decorate faerie houses or flower pots that they can take with them to attract faeries to their own gardens.

On the invitation also ask your guest to bring a small shiny token as a gift to the faeries. This can be anything they want to offer the fae; a bead, chain, coin or anything sparkly or floral in nature. Folklore tells us that faeries are intercity attracted to shiny objects and they are pleased when gifts are left for them. It is said that gifts left for the faeries will ensure they will not destroy ones garden. As an activity for the party the shiny objects can be left either at an alter created in ones garden or if in an apartment left under plants and pots for the faeries to find.

Since this will be a celebration of the faeries return it must include a faerie feast. Think dainty and be creative. Serve finger sandwiches, tiny quiche, and pinwheels. Make “faerie toast “ by spreading butter on bread and sprinkling with cinnamon and sugar or colored sugars and putting in the oven or toaster until brown on the bottom and the butter is melted. Cut into squares or quarter triangles. Serve sweets! Faeries love sugary things, cookies, mini cupcakes, be creative and think like a faerie.

Along with the offering of gifts that are left for the faeries make a food alter.Have your guest leave tiny bits of the faerie food or sugar cubes at the alter for the winged creatures to find. Fill thimbles with milk and honey and leave them with the food offerings.

It is said that faeries are most active at twilight so schedule the party in the late afternoon before it get gets dark so that at dusk you and your guest can welcome and watch for the faeries.

These are just some ideas to get you started. The possibilities for a faerie welcoming party are endless. Be creative and remember you are never too old to believe in faeries.

copyright Amethyst Raven

Painting “Garden at Twilight” copyright Angelique Duncan -Twilight Faerie

Digital illustration “Little Sprite” copyright Amethyst Raven and available for sale on Little Sprite.Etsy

Angelique Duncan is proprietor of Twilight Faerie Nostalgic and Capricious Objects. Check out her artist page to find links to her shops and vintage inspired traditional holiday art. Visit again next month for more traditions and folklore.

Easter Hares & Springtime Scares 2017 Art Event

 

  Time for Easter Hares & Springtime Scares!

What happens when Halloween artist create Springtime art? An eclectic and unique mix of Easter art mashed up with Halloween. Participating Halloween Artist Bazaar Artists have created special edition pieces for the 2017 Easter Hares & Springtime Scares art event. Search for HAB Easter items here! Each item for sale in the Easter Hares & Springtime Scares Art Event is featured in order of appearance in the photo gallery with a link to where to buy the item.

For HAB Halloween art on Etsy, visit HAB artist websites and find handmade Halloween, holiday art and curiosities year round through the HAB shopping catalog!

Featured Easter Hares & Springtime Scares Artist:
Tarryfails Corner
Jan’s Beads
PunkinPrims
The Felted Fey
Twilight Faerie
Potion Shoppe
Mr.Bonys Nurse
Gothbunny
A Paper Witch
Abbybelle
Art By Sarada
Jynxx

Full Worm Moon


Full Worm Moon
-By Angelique Duncan

March 12th will be the Full Worm Moon. This will be the last full moon of Winter for 2017. The March full moon is known by many names, but is most commonly known as the Full Worm Moon. This full moon will occur a week before the Spring Equinox and will be visible from March 11th-the 13th and the moon peaks on March 12th. Although not a “super moon” this years moon it is thought will be particularly bright given it’s timing and placement in the night sky.

The March Full Moon became known as the Worm Moon because it coincides with the coming of the signs of Spring. As the ground begins to warm worms began to appear under shimmering light. Robins on their migration back north descend to feast upon the squirmy delicacies as a meal in the early morning. Many in North America believe that the coming of the robins signals the official end of winter. To the Native Americans it is the worms who are the true first signal that the ground has thawed and it is time for planting.

A full moon is not the only phenomenon in which worms glow. There are naturally occurring glowworms that are found in woodland caves all over the globe and a rare species found in wetlands in the North American south particularly in the Appalachian Mountains and the Cumberland Plateau. They are also one of few species that exist in the Arctic Circle. Caves in New Zealand and Australia are touted as quite the visual spectacle of hundreds of glowing worms hanging from cave walls.

The female of the species is usually the worm that actually has the glowing ability. They glow from bioluminescence luciferin and the reaction of fluorescent proteins reacting to minerals and oxygen that is emitted from the tail end of their bodies. The most common glow is that of a yellow or green, however those found in North America glow a stunning bright blue.

It is believed that glowworms have magical powers. Before electric light and battery operated light sources were collected and put along pathways to create light and safety for foot travel at night. The worms would also be placed in lanterns for their magical light. Sometimes the worms were distilled in water to create glowing liquid for illumination. Their magical powers were also sought after for medicinal purposes.

Folklore states that if one sees a glowworm on their path while traveling they will have good fortune. However one must never step on a glowworm, otherwise the joy and laughter will be removed from their household. It is also thought that if a glowworm crosses the threshold of a house the head of that household will perish.

Sadly, varieties of glowworms are increasingly becoming extinct and are being added to many nations list of eminently endangered species. Most glowworms are falling victim to urban expansion and invasions of humans in their natural habitats. Glowworms are sensitive to noise and particularly light pollution. They also are declining in their populations due to chemical and insecticidal pollutions that have been introduced into water sources. Some species populations are fading due to warming of their environments and extreme weather changes that are causing their natural mating and birth cycles to become off kilter.

This full Worm Moon get out and enjoy the first rights of Spring. While you are looking up to the skies to witness the full bright lunar occurrence, remember to look down and see if you can spy an emerging worm. Be grateful that Spring and warmer weather is on the way bringing with it birds and flowers. If you should see a glowworm count yourself lucky as you will be bestowed with magical good fortune.

Painting “Full Worm Moon” copyright Angelique Duncan -Twilight Faerie

Angelique Duncan is proprietor of Twilight Faerie Nostalgic and Capricious Objects. Check out her artist page to find links to her shops and vintage inspired traditional holiday art. Visit again next month for more traditions and folklore.

Featured Artist Interview March 2017: Twilight Faerie

To find where Twilight Faerie sells her wares visit her on her artist page on HAB. 

Interview with Angelique Duncan of Twilight Faerie:

Which pieces of your artwork are you most proud of, currently for sale or sold? Share an image of it if you have one.

I am most proud of “The Great Pumpkin of Sincerity”. It is a 16×20 acrylic painting on Bristol board. This was the first piece I painted with the intent to put out in the public sphere to sell. I have been painting my entire life, however as a lot of artist do, had trepidation about selling my own paintings. I entered the piece in the Faces of the Great Pumpkin Art Contest 2013 held by Cult of the Great Pumpkin, figuring the best way to get over my hesitations to put my paintings up for public scrutiny was to put one in a contest judged by the public. It didn’t win, but I am grateful I entered the piece and still very proud of it. Since painting the Great Pumpkin of Sincerity I have continued to paint and have several paintings and prints for sale along side my vintage Halloween and floral work. I am never happier than when I am painting.

Name an artist(s) whose work you admire and what influence have they had on your art?

The influences on my art come from old storybook illustrations and the (now) vintage greeting cards I used to receive as a child. I love the imagery of animals and Halloween creatures living a parallel world to ours. The artists whose work I admire the most are Arthur Rackham and Beatrix Potter. In my opinion, they are the masters of children’s art, color and mood. I could only hope to be able to capture a tiny sliver of the imagery they have created.

The greatest influence on my work is the illustrators of Halloween greeting cards from the 1970’s. Unfortunately, given the temporary nature of art used for greeting cards as mere ephemera, many of these artists never received notoriety in the art world and their names are obscure. The imagery of those cards has always stayed with me; jovial scarecrows, prissy sweet faced black cats, wide-eyed ghost and grinning Jack o Lanterns. It was an era of Halloween imagery that was friendly, whimsical yet still had a tinge of spooky and I try to emulate that style in my Halloween art.

In the realm of modern Halloween art, I am tremendously grateful to Heather Gleason of My Eclectic Mind for having discovered Twilight Faerie way back in the day and encouraging me to sell online and to challenge myself to always strive to do greater things. Her work is magnificent and inspiring.

What would you consider the highest honor or greatest goal you would like to achieve with your art?

The greatest goal for my art is for some one I have never met to be so compelled to want to hang or sit my work in their home. If a person looks upon one of my pieces and feels as fondly and attached about my art as I do the art and decorations in my own collection, then I have contributed to some ones happiness and to me that is the highest honor one can achieve with art.

What Halloween costume that you got to wear in childhood was your favorite and has the fondest memory for you?

The fondest memories from childhood of a Halloween costume are of a witch’s hat I had when I was about five years old. To me it was the most beautiful magic hat there ever could have been. It came from TG&Y, a discount store that has long since closed its doors. The hat was made from a glossy black-coated cardstock with a ruffle on the edge that was made from black crepe paper with a silver foil trim. The hat had a large moon with a cat arching it’s back surrounded by stars painted on with shiny silver glitter. I loved that hat. I wore it proudly several Halloween nights years in a row, until one Halloween it was drizzly and damp and miserable for trick or treating. I wore my hat, not realizing paper and rain were not a good mix. The hat was destroyed.

Years later, when I was in my early 30’s, I found the exact same hat in a lot of vintage Halloween items at five and dime store in the Village in West University Place in Houston. (another cool store that has closed forever). At the time the original hat I had as a child was maybe $3.00 at most, I paid $25.00 for the new one but it was money well spent to have that hat again. It is now a part of my Halloween decorations that are displayed each year…and yes I have been known to wear the hat around the house gleefully as I decorate!

What is your favorite Halloween icon? Why do you identify with its imagery?

My favorite Halloween icon is the Jack o lantern. The Jack o lantern is the quintessential ambassador and embodiment of all things Halloween. I like to believe that every time a pumpkin is carved into a Jack o lantern and a lit candle is place inside its cavern, that pumpkin has fulfilled its Halloween destiny. Each grimacing, grinning silly or scared faced pumpkin lit by candlelight is keeping the spirit of Halloween alive through the ages.

If money and wherewithal were not an issue, what would be your dream way to spend Halloween?

I have had some very happy Halloweens in my lifetime. I have loved them all whether it was trick or treating as a child or throwing a huge Halloween bash in adulthood or just handing out candy to kids.

If money were no object my dream of the perfect Halloween would be to throw a huge Halloween extravaganza of a party surrounded by folks who share the same enthusiasm and reverence for the holiday. Everyone would have extravagant costumes and every corner would be decorated in orange and black and Halloween bric-a- brac. There would be a decadent Autumn feast with overflowing bowls of baked sweets and candy for desert and never ending pumpkin ales and honey mead. We would have a carved pumpkin contest, silly parlor games and fortune telling. While this party was happening there would be a constant stream of raucous kids Trick or Treating at the door. Outside there would be a fire pit where folks could sit around and tell ghost stories under full moonlight. In the woods would be a decorated haunted trail for folks to meander through with lanterns. To finish the celebration there would be a costumed Halloween parade through the street with all the neighborhood children. That would be a Halloween night for the ages!

Gargoyles and The Grotesque


Gargoyles and The Grotesque
-By Angelique Duncan

Have you ever been walking in an urban area at night and thought you saw something move in the shadows or felt that some one or something was following you? When you look, nothing was there. Or was some one there after all. There is the possibility that feeling of being watched was a Gargoyle or perhaps a Grotesque that indeed was watching you.

For centuries they have loomed above us on the tops of buildings ever watchful and present. They can take the form of animals and winged things, monsters and demons and even sometimes something human. To some they are frightening and to others comforting.

The original purposes of Gargoyles were to act as a waterspout to direct rainwaters from the roofs of buildings. Some appear with long necks with their mouth agape to release water; others appear intertwined in the architecture or buildings. The name Gargoyle became associated with all creatures found in the design of buildings or statues that were made of stone. The word Gargoyle literally translates to gullet or “throat” thus how the rainspout monsters arrived at their name. Ornamentals and stone statues that depicted winged creatures or animals were referred to as Grotesques. Eventually the term Gargoyle was used for all stonework depicting creatures.

Gargoyles originally took the shape of animals and appeared in ancient Egypt and in Greek and Roman architecture. These animal shapes were used to honor the ferocity of the creatures, to show strength of an empire and they acted as beloved protectors to the buildings. The ancient Greeks believed that the stone animals purified water that came from the heavens and protected their buildings from misfortune.

Many European Gargoyles took on the shape of long necked dragons. This practice came from a French legend of a monstrous dragon that was slain. The legend states that the dragon Gargouille was killed and captured and brought back to the village. Once there its body was set ablaze. However the head and neck would not burn as it was acclimated to high temperatures given it’s fire breathing properties. The remains were mounted to the church as a warning to other dragons and to ward off evil spirits.

In Europe as the Catholic Church grew dragons were replaced by anthropomorphized animal human figures to emulate Pagan imagery in an effort to convert Pagans to Christianity. The imagery was to make the Pagans more comfortable with Catholicism and show that only the Church could offer protection from evil.

As the Church became heavier handed the Gargoyles began to take on more frightening motifs depicted as demons and monsters. Their purpose was to remind sinners that only through the Church could one find salvation. The Gargoyles loomed above protecting the churches from evil and acting as a visual reminder to all of the horrors of hell that awaited those who sinned.

Gargoyles or Grotesques were erected in graveyards and gardens to protect against spirits and as a constant reminder to sinners. It became common practice to place a Gargoyle spout on ones personal home or garden. Some of these personal Gargoyles were to emulate the protections offered by the Church, however some were used to preserve Pagan imagery and themes. Many stone workers would carve the faces of deceased relatives or friends into the Gargoyles to honor them.

As time moved on and the Church had established it’s power the need for the horrific imagery of Gargoyles shifted. People began to feel that were too evil looking and the use of demonic imagery on the church was inappropriate. Many of the original Gargoyles were removed and replaced by decorative animal imagery. The custom of Grotesques in personal gardens followed suit, and the use of stone lions replaced Gargoyles as protectors. This eventually gave way to the use of the imagery of angels and cherubs on the side of buildings and personal statue use for protection. As the modern era of architecture took hold, the use of ornate stonework was abandoned and with it, the need for Gargoyles and Grotesques as protectors faded.

There were legends attached to these antiquated stone creatures history. Some say that they truly could see from within their stone exterior. It was customary for those who respected the beast to nod at them when passing. It is said that the Gargoyle would nod in turn out of respect.

Many believed that Gargoyles and Grotesques would come to life at night and would either fly or prowl over a village or city protecting against evil. They would return to their perches and turn back to stone when the sun rose. Some believed that rain could strengthen the stone creatures powers.

Folklore exist that the Gargoyles that were removed and abandoned from buildings were rewarded for their service of protection by the angels. It is said that they were gathered up by the angels and taken to safe places. The angels gave them the gift of mobility. It is thought that they would hide on the tops of buildings and dark places of cities during the day and would move freely at night. Belief was that they would only show themselves while animated to those they felt were true of heart and enduringly good. For those who were good could look a Gargoyle or Grotesque in the eye and recognize the nobility of the creature. From this a bond based on goodness would be formed.

The next time you are out at night walking your city keep watch of the shadows and up at the sky. You might be so fortunate to see a Gargoyle or roaming Grotesque spared by the angels. If you have confidence that you are good in intentions look them in the eye, say thank you and give them a nod. If they deem you worthy and pure of heart they will nod back.

Painting “Gargoyle” copyright Angelique Duncan -Twilight Faerie
Painting “Oakland Gargoyle”copyright Angela Ryer A. Ryer Studio and available for purchase from A. Ryer Studio on Etsy.

Angelique Duncan is proprietor of Twilight Faerie Nostalgic and Capricious Objects. Check out her artist page to find links to her shops and vintage inspired traditional holiday art. Visit again next month for more traditions and folklore.

2016 Winter Holiday Give Away


The Winter Holiday Give Away has concluded a winner has been chosen!!

Thank you to all who participated and to all our friends may you have a warm, safe and happy Winter Holiday

Happy Winter and much holiday cheer to all!

How To Enter:

Step 1: Visit one of the contributing HAB artist from the list below. If the artist your spreading Winter Cheer to is an Etsy store contact them using the “contact the owner” tab on the left sidebar of their shop. If they are on the HAB catalog use our contact form. Leave them a message that states your greeting for that spreads Winter greetings and cheer.
Step 2: Visit our Facebook page and “Like” us and comment your Winter Greeting on our wall.
Step 3: Fill out the official Winter Holiday Give Away entry form below.

Official Rules

Entry deadline is Midnight on December 15th 2016 Central Standard Time. The Winner will be chosen at random. One entry per person. Winner will be notified via email. The prize will ship on December 16th 2016. The winners name will be posted on the Halloween Artist Bazaar website and Facebook page. Information obtained will only be used to contact winner in regards to contest. HAB does not release or sell information from our entry forms or contact page. All ages welcome to enter. Members of Halloween Artist Bazaar are not qualified for entry. Contest open internationally, however please note that prize may not arrive before December 25th due to international shipping delays. *Your countries custom charges may apply. * Prize value an estimated $100.00 (and growing as more is added)

Contributing Halloween Artist Bazaar Artists links where to find their wares in order of photo appearance:(check back as the list grows and photo’s of the winnings are posted!)

Twilight Faerie
Jan’s Beads
Sauvage Raven Creations
Odd Origins

Haunted Forest Art Event 2016

Here you will find interpretations of the theme Haunted Forest from participating HAB members.

Haunted Forest Art presented by the following:

Jynxx Designs
Art By Sarada
Twilight Faerie

HAB online shopping catalog:

HAB on Etsy

HAB on Etsy:

HAB on Etsy

Bold October – A Poem by Majorie Burney Willis


Bold October -A Poem by Marjorie Burney Willis
-Posted By Angelique Duncan

Bold October is a poem written some time ago by my grandmother, Majorie Burney Willis. It was originally published in an anthology of Texas Poets that was produced by the Texas Poetry Society at some point in the 1980’s. Outside of her poetry that was published by the Texas Poetry Society and the American Poetry Society, this is the only remaining poem left from a lifetime of writing. She used a type writer, back before desktops and laptops and hard drive back ups. The lifework of poetry was lost in a “shady incident”, never to be recovered. Majorie; affectionately named “Grin”, passed away in 1994. Her poetry rest with her in a cemetery in League City Texas.

Bold October

“When old October comes blustering across Texas,
The whole countryside gets the heebie-jeebies.
Winds howl across streams…
Giving cyotes and coons the shakes…
The possums and skunks the jitters…
Crows fly sideways, flapping glossy wings…
Cawing over cornfields…
Chaparral cocks dart from hystack to haystack…
Snakes slither through wind-swept grasses.
High above it all,
Wild geese get the jimjiams…
Hogging the Texas skyways…
Honking like dudes in fiveo’clock traffic…
While the sun cowers behind clouds…
Not daring to peep or come out.
But bold October keeps coming
Across Texas….
Niether looking where it’s going
nor caring.
©Marjorie Burney Willis

*Bold October is copyright Majorie Burney Willis circa 1980’s and no part of this poem may be reproduced or copied.*

Angelique Duncan is proprietor of Twilight Faerie Nostalgic and Capricious Objects. Check out her artist page to find links to her shops and vintage inspired traditional holiday art. Visit again next month for more traditions and folklore.