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Thanksgiving week Sales and Savings 2015


The week of November 21st through November 30th visit the shops of Halloween Artist Bazaar members for special holiday sales and offers. Some shops will be hosting sales throughout the holiday season! Check back often to see what sales and coupons have been added.

Participating Halloween Artist Bazaar Artists:
 
Twilight Faerie 10% off for repeat customers with coupon code THANKYOU1 through January 1st 2016. Etsy shop and Free gift with purchase from Twilight Faerie Etsy shop and on the HAB catalog November 1st 2015 through December 24th 2015.
 
Crazed Poppet Creations Beginning November 1, 2015 through December 31, 2015 I will have a 30% off anything in my web store.
Use coupon code CRAZED30. And let me know if it does not work and I will refund or whatever needs to be done.
Crazed Poppet Creations website
 
Gothbunny Free domestic shipping on everything in Gohtbunny Etsy shop until the end of November. Use coupon code BLACKBUNNY Gothbunny Etsy shop
 
 

 

Everlastings and Offerings


Everlastings and Offerings
-By Debbi Decker

All Saints Day can be a very busy day in New Orleans’ cemeteries. Peering through the gates, you might see a few families busy among the tombs, polishing marble and brass, and pulling the weeds and the ferns that can root in the tiniest of cracks in the surface. There are not as many families present these days as there would have been back in the 1800s and early 1900s. Time has taken its toll on the tombs, and many of the families have either moved away or died out. Still, those that can will take the time to care for the tombs that belong to their families, and there are cemetery preservation societies that are attempting to halt the destruction and decay. Candles continue to be lit, and the priests still come to bless the graves.

During the 1800s, it was a common practice for vendors to set up outside of the cemeteries around New Orleans on All Saint’s Day to sell fresh flowers to be placed in vases in front of the tombs. Over time, and as people came over to the city from Europe, decorations for the tombs called “immortelles” were introduced to the general public and sold to the families as they entered the cemeteries to clean and decorate the family tombs. The word is of French origin and means “everlasting”. These decorations or offerings would have run the gamut from simple straw flower bouquets to elaborate woven wire wreaths full of beads and china roses. Zinc would have been cut out in the shape of leaves and made into wreaths. Reverse glass paintings of various images and symbols were popular, as were woven hair ornaments. Black roses made out of linen and woven into crosses or other religious shapes were popular. Some of these immortelles were brought over from France, while others were made in New Orleans. Mark Twain commented upon immortelles, stating that “they required no attention… and last like boiler iron”. As advances were made in the silk and plastic flower industries, placing elaborate immortelles on the graves and crypts went by the wayside. The silk and plastic flowers cost less, and families could afford to change out the decorations as often as they wished. There is still evidence that the practice continues in some areas, however, it appears more as a personal afterthought or an offering rather than the actual act of leaving an immortelle as it would have been perceived back in the day.

A recent stroll through Lafayette Cemetery No. 1 in the Garden District revealed that the leaving of offerings is still alive and well in New Orleans. Especially at the resting places of people who may have been active in the practice of the Voodoo religion. It also appears that certain crypts have been turned into shrines, as is the case of the tomb of the Society for the Relief of Destitute Orphan Boys (see picture). I have no idea why this particular crypt has now become a shrine and this has only happened in the past two years. When I last visited the cemetery in 2013, there were no offerings on this tomb.

You never know what you will find. During my visit I discovered a hand painted canvas depicting a Mardi Gras mask. Many tombs had beads draped over them, some had metal or glass vases full of actual flowers withered from the heat and passage of time. I noticed a few small toys and tiny cherub statues, as well as bouquets of silk flowers that seemed to fare better in the heat than their living counterparts. Cigarettes, lipsticks, vials of oils and perfumes, cigars and chewing tobacco decorated the crypt’s ledges, as well as small pouches with indeterminate contents to be wondered about or guessed at.

It is not clear from the offerings left what exactly is going on, but as with the Voodoo offerings at the various local mambos’ and houngans’ tombs, I suspect that the petitioners are leaving little gifts behind as thanks for the spirits’ help with their requests. Why these particular tombs are chosen may never be known. And, in a sense, these kinds of offerings become immortelles or everlastings because these offerings will remain. It is acceptable to look over the leavings, and even take a picture or two. You are encouraged to add your prayers and leave an offering of your own. Never ever disturb or take the offerings at these tombs. To do so would anger the spirits and could bring great spiritual harm.

Photographs “Immortelles”, “Blessed the Child”,”Society for the Relief of Destitute Orphan Boys”, “Society for the Relief of Destitute Orphan Boys close up”, “Offerings” and “Mask Gift” provided by Crazed Poppet Creations and are copyrighted images. To contact Debbi Decker for purchase of these prints visit her website.

Debbi Decker is proprietor of Crazed Poppet Creations Art & Assemblage Emporium. Check out her artist page to find links to her shop and blog to read more of her writings. Visit again next month for the telling of hauntings and ghostly tales by Debbi Decker.

The Turkey

The Turkey-By Angelique Duncan

When one thinks of Thanksgiving images of the proud, plump turkey is immediately to follow. The nostalgic symbolism of this magnificent bird at Thanksgiving is so synonymous with the celebration that the holiday is often referenced as “Turkey Day”. How did the turkey become our national symbol of Thanksgiving? The bird has a rich and noble history worthy of acknowledgment as one enjoys their harvest feast.

The turkey was once revered by Mexican and South American tribes as a sacred bird and in some tribes like the Aztecs, Toltecs and Myans was appreciated as a God. The mythologies and symbolisms varied from tribe and region based on observations of the turkeys’ traits and behaviors.

In some Native North American cultures the turkey symbolized fertility, virility as well as pride. The male turkey will show it’s decorative plumes and strut in an elaborate mating dance to attract the female of the species. The dance of the turkey is seen as prideful and arrogant with grand confidence. This mannerism was often imitated by tribes before battle with the wearing of full turkey feather robes and headdresses.

The turkey was also known for being a bird of great wisdom and a messenger of warnings. The turkey has been said to have a sixth sense for awareness of its environment and can warn of danger and predators. They will fluff their plumes and take an aggressive stance if they feel threatened; well before the danger presents its self. The fowl will become intensely protective and never holds back in attack or when confronted with battle.

Turkeys will roost in trees and elevated spaces away from predators and to have a vantage point to oversee their territory. In the sleeping flock one turkey will be “appointed” look out to give warning of danger. Turkeys have very specific calls, gobbles and screams that have meaning for communication among the flock, creating a fairly sophisticated bird language of signals.

To many tribes the turkey was considered a rain spirit for their ability to predict the change in weather. When rain is eminent turkeys will puff their ornate plumes and fluff their feathers and give calls and dance. The rain dances of many North American tribes are an emulation of the turkey’s rain dance.

Tribes attributed the turkey with the symbolism of bounty, sacrifice and generosity. The turkey was given between tribes as a gift of bounty and goodwill. Being one of the hardest of the large fowl to successfully hunt and its ability to feed many when caught, the wild turkey was often the game of choice for ritual and celebratory meals of the Native Americans. Unlike the modern domestic turkeys raised for quantity of meat who are sluggish and cannot fly, wild turkeys can run at speeds up to 25 miles per hour and can fly short distances at 55miles per hour. Making them quite the challenge to catch for a predator or hunter. The turkey was present for harvest meals as a special bounty, well before the arrival of the pilgrims to American soil.

The turkey arrived at its namesake as a matter of mistaken identity from Spanish explorers who discovered the bird thinking they were returning to Europe with Guinea fowl from Turkey. Given the bird was acquired unknowingly from the wrong continent; it was named for its origin of discovery. And so the name was given to the North American fowl after a country the bird had never traveled from.

It is widely accepted that turkey was served at the first documented Thanksgiving meal, although there is no concrete evidence of this. It has been documented that beef and fowl were served at the first Thanksgiving feast, but no bird is specified. Turkeys are natural to the southeast and southwestern states and would not have been prevalent on the eastern seaboard at that time. Some historians say that the intent was to find and hunt a turkey, but the pilgrims were unsuccessful and stories tell that humble crows and fish were eaten instead. There is a historical letter that was written during the era of the pilgrims that mentions a turkey being served as part of a feast, however the document is not in reference to the legendary supper of Myles Standish fame that is romanticized in the Thanksgiving tradition.

Although turkey may have been served at some feasts, it has been accepted by modern historians, that the turkey did not become the traditional meal of the holiday until much later. Many Americans would serve goose, chicken or quail in lieu of the turkey as the centerpiece of the traditional meal. Turkeys may have become popular due to the aforementioned letter written by a pilgrim, Edward Winslow, which referenced a turkey hunt before a Thanksgiving meal. Some equate the popularity of Turkey at Thanksgiving from a proclamation by Alexander Hamilton that “no citizen of the United States should refrain from turkey on Thanksgiving day”. The turkey was a symbolic bird in the nations beginnings and was advocated by Benjamin Franklin to become the national emblem instead of the bald eagle. The historical quote follows:

“For my own part I wish the Bald Eagle had not been chosen the representative of our country. He is a bird of bad moral character. He does not get his living honestly. You may have seen him perched on some dead tree near the river, where, too lazy to fish for himself, he watches the labour of the fishing hawk; and when that diligent bird has at length taken a fish, and is bearing it to his nest for the support of his mate and young ones, the Bald Eagle pursues him and takes it from him.

With all this injustice, he is never in good case but like those among men who live by sharping & robbing he is generally poor and often very lousy. Besides he is a rank coward: The little King Bird not bigger than a Sparrow attacks him boldly and drives him out of the district. He is therefore by no means a proper emblem for the brave and honest Cincinnati of America who have driven all the King birds from our country…

I am on this account not displeased that the figure is not known as a Bald Eagle, but looks more like a Turkey. For the truth the Turkey is in comparison a much more respectable bird, and withal a true original native of America… He is besides, though a little vain & silly, a bird of courage, and would not hesitate to attack a grenadier of the British guards who should presume to invade his farm yard with a red coat on.”

How the turkey became the official sacrificial meat for the modern Thanksgiving meal is truly unknown. However it is now a mainstay of the holiday and one could not imagine Thanksgiving with out turkey. When celebrating all you are thankful for this year and counting your blessings, remember to give thanks to the turkey, a bird of noble and rich history worthy of its own American holiday.

Angelique Duncan is proprietor of Twilight Faerie Nostalgic and Capricious Objects. Check out her artist page to find links to her shops and vintage inspired traditional holiday art. Visit again next month for more traditions and folklore.

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November 2015 Featured Artist Interview: Janis Logsdon

To find where Janis Logsdon sells her wares visit her artist page on HAB. 

Interview with Janis Logsdon of Janis Logsdon Jewelry and Art (Jan’s Beads):

At what age did you discover your love of Halloween?

Grade school really. I grew up in the 1950s and there were a TON of kids in my neighborhood. We all trick or treated together like a mob! It was so fun. Besides who did not love to get dressed up as some one else as a kid? OK… or even as an adult.

What is your fondest Halloween memory?

My funniest really. That mob from above went out one year and a neighborhood man held us up a while with his tricks – yes, magic tricks. While we all stood open-mouthed waiting at the door for candy. Crazy, fun filled people in my childhood neighborhood.

How do you celebrate Halloween?

We used to go out to dinner every year at a restaurant in La Habra, CA, where the staff dressed up in insane costumes. Then we would go home and give out candy to the little ones. Now we pretty much stay at home and do the candy thing. However this year we celebrated at the Aiken Fall Steeplechase. That was different. To be clear, the people dressed up; the horses did not.

When did you start creating in your medium and what training have you had?

I started 20 or so years ago by making all holiday jewelry, charm bracelets mostly. When I got to Halloween and Day of the Dead I found my calling and have been there ever since. Self taught mostly. Over the years I have taken and taught jewelry making classes. What is really nice is to get together with a few like minded friends and create. It is wonderful bouncing ideas off of each other. That is what is so special about HAB. Lots of talented people giving you encouragement.

What was the inspiration to create what you create and when did you know you wanted to create Halloween?

This is so hard to answer. Somehow it was just a gut feeling I could not ignore. And, well, for some reason little bone skulls just make me smile. I have thousands of them in my collection. Honestly, some I will keep forever.

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