Everlastings and Offerings


Everlastings and Offerings
-By Debbi Decker

All Saints Day can be a very busy day in New Orleans’ cemeteries. Peering through the gates, you might see a few families busy among the tombs, polishing marble and brass, and pulling the weeds and the ferns that can root in the tiniest of cracks in the surface. There are not as many families present these days as there would have been back in the 1800s and early 1900s. Time has taken its toll on the tombs, and many of the families have either moved away or died out. Still, those that can will take the time to care for the tombs that belong to their families, and there are cemetery preservation societies that are attempting to halt the destruction and decay. Candles continue to be lit, and the priests still come to bless the graves.

During the 1800s, it was a common practice for vendors to set up outside of the cemeteries around New Orleans on All Saint’s Day to sell fresh flowers to be placed in vases in front of the tombs. Over time, and as people came over to the city from Europe, decorations for the tombs called “immortelles” were introduced to the general public and sold to the families as they entered the cemeteries to clean and decorate the family tombs. The word is of French origin and means “everlasting”. These decorations or offerings would have run the gamut from simple straw flower bouquets to elaborate woven wire wreaths full of beads and china roses. Zinc would have been cut out in the shape of leaves and made into wreaths. Reverse glass paintings of various images and symbols were popular, as were woven hair ornaments. Black roses made out of linen and woven into crosses or other religious shapes were popular. Some of these immortelles were brought over from France, while others were made in New Orleans. Mark Twain commented upon immortelles, stating that “they required no attention… and last like boiler iron”. As advances were made in the silk and plastic flower industries, placing elaborate immortelles on the graves and crypts went by the wayside. The silk and plastic flowers cost less, and families could afford to change out the decorations as often as they wished. There is still evidence that the practice continues in some areas, however, it appears more as a personal afterthought or an offering rather than the actual act of leaving an immortelle as it would have been perceived back in the day.

A recent stroll through Lafayette Cemetery No. 1 in the Garden District revealed that the leaving of offerings is still alive and well in New Orleans. Especially at the resting places of people who may have been active in the practice of the Voodoo religion. It also appears that certain crypts have been turned into shrines, as is the case of the tomb of the Society for the Relief of Destitute Orphan Boys (see picture). I have no idea why this particular crypt has now become a shrine and this has only happened in the past two years. When I last visited the cemetery in 2013, there were no offerings on this tomb.

You never know what you will find. During my visit I discovered a hand painted canvas depicting a Mardi Gras mask. Many tombs had beads draped over them, some had metal or glass vases full of actual flowers withered from the heat and passage of time. I noticed a few small toys and tiny cherub statues, as well as bouquets of silk flowers that seemed to fare better in the heat than their living counterparts. Cigarettes, lipsticks, vials of oils and perfumes, cigars and chewing tobacco decorated the crypt’s ledges, as well as small pouches with indeterminate contents to be wondered about or guessed at.

It is not clear from the offerings left what exactly is going on, but as with the Voodoo offerings at the various local mambos’ and houngans’ tombs, I suspect that the petitioners are leaving little gifts behind as thanks for the spirits’ help with their requests. Why these particular tombs are chosen may never be known. And, in a sense, these kinds of offerings become immortelles or everlastings because these offerings will remain. It is acceptable to look over the leavings, and even take a picture or two. You are encouraged to add your prayers and leave an offering of your own. Never ever disturb or take the offerings at these tombs. To do so would anger the spirits and could bring great spiritual harm.

Photographs “Immortelles”, “Blessed the Child”,”Society for the Relief of Destitute Orphan Boys”, “Society for the Relief of Destitute Orphan Boys close up”, “Offerings” and “Mask Gift” provided by Crazed Poppet Creations and are copyrighted images. To contact Debbi Decker for purchase of these prints visit her website.

Debbi Decker is proprietor of Crazed Poppet Creations Art & Assemblage Emporium. Check out her artist page to find links to her shop and blog to read more of her writings. Visit again next month for the telling of hauntings and ghostly tales by Debbi Decker.

YES, VIRGINIA, THERE BE VAMPIRES HERE


YES, VIRGINIA, THERE BE VAMPIRES HERE
-By Debbi Decker

Born in October of 1925, amidst the rubble and wreckage in a collapsed railway tunnel, he rose up and stumbled out of the smoke, a wraith-like silhouette against the fire lit sky. Those who hid in terror reported a visage of jagged and blood dripping teeth, skin shredded and hanging from the bones. A few hardier souls tracked the creature as he stumbled, moaning and keening, along the river and on to the cemetery where he disappeared into the entrance of a large Gothic tomb. Attempts to open the door of the tomb came to naught and the hysterical requests to the cemetery officials to open the tomb were denied. The gossip in the bars and homes in the days to come claimed the creature was a vampire. “How else?” they whispered. “How else can you explain the bloody teeth, never mind the entry into a sealed tomb?” The owners of the tomb did not stand idly by. “I heard they moved the family bones” a neighbor told another neighbor. “Had to have done it by day” the neighbor answered. Both nodded. Everyone knows that vampires sleep by day. No one questioned why the family did not destroy the vampire while it slept. With a stake to the heart. Isn’t that the usual way one dispatches a vampire?

Years passed and the legend passed along with them. Reports of strange noises from inside the tomb. Orbs and strange mists emanating from the doorway. Tales of Satanic activity and markings around the tomb. It is now 2015, and people still come from far and wide to view the Tomb of the Richmond Vampire.

As with all legends, there is some truth to this particular tale. A railway tunnel did collapse on the night of October 2, 1925 on Church Hill in Richmond, Virginia. A young man, Benjamin F. Mosby, managed to escape the wreckage bearing injuries much like the oft-described vampire in the tale. He was admitted to Grace Hospital, where he later died of his injuries. Not much is told of where Mr. Mosby was found or why he supposedly chose that particular tomb. William Wortham Poole was an upstanding citizen, a secretary/clerk who died at the venerable age of 80, and subsequently buried in the family tomb in 1922. Perhaps Mr. Mosby was trying to reach the river which travels along the cemetery borders. Perhaps he was only able to get as far as W.W. Poole’s tomb where he collapsed inside the dark entryway, thereby spawning the rumors that he disappeared into the tomb. To this day, there are still reports of strange noises and paranormal activity. Since we know Benjamin Mosby died at Grace Hospital, who (or what) prowls the shadows of the Hollywood Cemetery in Richmond, Virginia? I am personally of the opinion that we do not have a vampire here, but the rather pissed-off ghost of William Poole, wandering and cursing the tale that led to his, and his family members, removal from the august family tomb to parts unknown.

Photographs “Tomb Of The Richmond Vampire” and “Tomb Of The Richmond Vampire-original” provided by Crazed Poppet Creations and are copyrighted images. To contact Debbi Decker for purchase of these prints visit her website.

Debbi Decker is proprietor of Crazed Poppet Creations Art & Assemblage Emporium. Check out her artist page to find links to her shop and blog to read more of her writings. Visit again next month for the telling of hauntings and ghostly tales by Debbi Decker.

The Wearing of the Green


The Wearing of the Green
(or Irish/Celtic Symbolism Found Among the Green Cemetery Lawns) -By Debbi Decker

Lately, I have been continuing my research on one of my favorite subjects, iconography in cemeteries. And with St. Patrick’s Day fast approaching, I thought to look into Irish/Celtic symbolism and icons that you might run across in many of the older cemeteries. Two of the most popular that I run across in my wanderings are the lyre or harp, and Celtic crosses. Others not so often found are ones such as stags, shamrocks, trefoils, the Claddagh and Celtic knots.

The Lyre or Harp. A strong symbol of Ireland, often called the national symbol, finding one carved upon a tombstone or on a crypt could mean that the person buried there was of Irish heritage. It is a magical symbol, and the traditional meanings associated with it are hopes of attaining heaven, as well as divine music.

Shamrocks. These are common three-leafed plants of the clover family and they are not to be confused with their four-leafed counterparts. Shamrocks represent the idea of three, a sacred number in Celtic lore, or the holy trinity in the Christian faith, i.e., the father, son, and Holy Ghost. It is also a popular motif on tombstones found in Australia. The Druids revered the plant and it was incorporated by the Christians as a symbol used in St. Patrick’s Day celebrations since, as the legend goes, St. Patrick used the shamrock to explain the ideas behind the holy trinity.

Stags. A stag is an adult male deer and is usually depicted with an impressive rack of antlers. The Celts believed that stags could lead souls out of darkness, and also thought that the antlers represented the tree of life and of regeneration. When depicted with a cross between its antlers, it becomes a more Christian motif that means purity and renunciation of Satan.

The Claddagh. Usually depicted as two hands holding a heart, it is a symbol of undying love and friendship. Often used for engagement and wedding rings, it can also be seen carved onto a loved one’s memorial stone or combined with the Celtic cross in the cemeteries.

Trefoils. I do not often run across trefoils, but when I do they are in a triangular form, with three spirals carved inside the triangle shape. Again, they mimic the shamrock symbols and have somewhat of the same meanings, such as representing the holy trinity with the addition of the meaning of wisdom.

Celtic Cross. This is an extremely popular monument found in cemeteries across the world. The cross, originally of pagan origin, has been married to a circle. Legend tells us that St. Patrick took the Christian cross and placed the circle upon it to represent the sun in order to convert the sun-worshipping pagans. The idea was presented as the Christian god being stronger than their sun god. These crosses can range from a simple cross and circle to elaborately carved memorials, incorporating other images, most notably Celtic knots or images of Christian saints. The most beautiful Celtic cross I have come across to-date is located in the Hollywood Cemetery in Richmond, Virginia. This particular cross is covered in biblical images.

Cemetery symbolism and iconography is a wonderful and enlightening subject. Try looking for unusual motifs the next time you wander through one, and then learn about what they mean. These symbols speak to the history of the person buried as well as to possible religious beliefs and family heritage. Although we can never be absolutely sure what a particular icon or symbol truly means (since we have no idea what was in the minds of the survivors who erected these stones and monuments), we can still appreciate the general meanings behind them and the beauty represented in their artistic representation.

Photographs “Lyre” and “Cross of Many Colors” copyrighted and provided by Crazed Poppet Creations.

Debbi Decker is proprietor of Crazed Poppet Creations Art & Assemblage Emporium. Check out her artist page to find links to her shop and blog to read more of her writings. Visit again next month for the telling of hauntings and ghostly tales by Debbi Decker.

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twistedpixelstudio: Elegant yet creepy Gothic cemetery photography and vintage inspired Halloween assemblage and ornaments form the twisted world of Deborah Decker and her Crazed Poppet Creations.